Deep End
Those readers who love the Danny and Michael tales in my collection of short stories, Meridian, will be able to meet them again soon in a new collection to be published in the not too distant future.
Here is one of the stories.
Deep End
Derek Mortimer
It’s the hottest day of summer. Probably the hottest day
ever.
The tar in the streets’s bubbling. You can pull it up with
your fingers, roll it into a ball and throw it at somebody.
It doesn’t half hurt if it hits you. Mam ses it’s a stupid
thing to do and could take somebody’s eye out.
Michael and me are going to the big swimming pool —
like everybody else. We rolled our togs up in our towels
and caught the trolleybus into the city, walked across the
centre and up the other side to the pool.
We weren’t half hot by the time we got here. The
queue’s a mile long up the hill. We’re never gonna get in.
We could get sunstroke waiting. Michael says we should
go to the canal instead but that means catching another
bus. Mam’s always told us not to because you get polio if
you swim in the canal. Michael said you can catch polio
in the swimming pool as well but he can’t because he
takes cod-liver oil every day, summer or winter. I’d
rather get polio than take cod liver oil.
© Derek Mortimer, Sydney 2017
Deep End 2
Three big kids come and walk straight to the front of
queue. They’re right mucky and rough looking. I bet
they’re from White Abbey, ‘Shite Abbey,’ that’s what we
call it. Just because they’re from there doesn’t stop
everybody yelling at ‘em. A little kid sneaks up and spits
on the back of one of ‘em then, dashes back to his place
in the queue. He would’a really copped it if they’d turned
round.
We all make so much noise that an attendant comes out
and tells us to shurrup. He ses if the queue jumpers don’t
go to the back none of us’ll get in. We cheer and boo as
the three walk away.
“We’ll get yer all when ya cum out!” the carrot-head
leader shouts.
It’s hot standing in the sun. I’ve got a new T-shirt, blue
and white stripes. My arms are burning and going red. So
are Michael’s.
“If you get too much sun you turn into a blackman,”
Michael says.
“How do you know?”
“Dennis’ told me at school.”
“How does he know?”
© Derek Mortimer, Sydney 2017
Deep End 3
“His dad said. He’s a sailor. He’s been to Africa. He’s
seen it.”
“It doesn’t go black. When you get really burnt you can
peel off the dead skin. You’re white underneath.”
“His dad’s seen it. How would you know?” Michael
says.
He’s a real pain our Michael, a real know all, even
though he’s younger than me. I belt him on the head with
my togs but he just laughs.
We move slowly forward in the queue as kids come out
of the baths, hair still wet, skin white and shiny, their
eyes red. I can smell the chlorine.
Eventually we get inside. It’s lovely and cool walking
on the tiles. Michael and me squeeze into the same
cubicle to get changed. I chuck Michael’s swimming togs
out over the door before he has a chance to put them on
and he stands there with hands covering himself. He has
a really little willy. Mine’s bigger.
“Yer a stupid git!” he says.
He puts his towel round his waist and rushes out. When
he comes back he throws my underpants out. They’re all
wet when I pick ‘em up.
© Derek Mortimer, Sydney 2017
Deep End 4
A big, baldy attendant shouts at me, “Any more from
you two and yer out!”
We don’t say owt, just go through to the pool looking
straight ahead as though baldy’s not there. That always
makes them mad.
It’s packed. And noisy. There’s hardly any space in the
water. Everybody’s shouting and screaming and laughing
and jumping in and ducking each other and an attendant
in white T-shirt and pants is blowing his whistle and it all
echoes in the roof way above us.
It’s great.
I wade in at the shallow end. Michael does a
somersault and makes a huge splash. The water’s cold
after the sun, like when you get into bed in winter. I duck
my head under and blow bubbles. I keep my eyes open
even though they sting. Everywhere I see white legs
moving in slow motion.
Michael says we’ll see which of us can hold his breath
under water for the longest. He ducks first and I count.
He comes up spluttering, water streaming off his face, “
Fifty-eight!” I yell.
“It were seventy,” Michael shouts above the noise.
© Derek Mortimer, Sydney 2017
Deep End 5
I grab his head and push him under and try to kneel on
his back.
“It’s seventy now,” I say when he comes up choking.
I pinch my nostrils together and go under. I sink and try
to sit on the bottom. It’s all legs and bodies ’n feet, ’n
bums ’n bubbles. ’n silence. I can’t hear the shouting nor
nothing. I count.
A girl swims passed me like a mermaid. She looks me
straight in the face and blows bubbles. She nearly makes
me lose count. I’m up to twenty-seven. I have to beat
Michael.
Thirty-five. It’s hurting. The mermaid girl comes again
and blows more bubbles. I bet she’s been up for air.
It’s really hurting. My lungs are gonna bust. I can see
Michael’ legs. They’re bent at the shins and are bluey
white.
Forty-five. I can’t do it. I let a bit of air out.
Fifty. I’m gonna bust. I’m gonna drown if I don’t go
up.
Fifty-three, fifty-four, fifty-five — six — seven —
fifty-eight-nine-sixty! I shoot to the surface just before I
die.
© Derek Mortimer, Sydney 2017
Deep End 6
“Forty!” Michael says.
It takes forever to get me breath back. “Liar! It’s sixty,”
I gasp.
Michael just laughs and pushes me under again. When
I come up with my mouth full he’s disappeared among
the bodies. He always cheats but I know I won.
I find some space and swim a few strokes. I’m best at
backstroke but when it’s crowded like this you bump into
people all the time or hit them in the face when your
hands come over your head. So I do breaststroke. You
can see where you’re going. But someone gets in my
way and I have to stop. It’s the mermaid. She smiles. It’s
a real nice smile. She wears one of those rubber caps.
White. Her bathers are white too and have little bubble
things everywhere. It’s the way they’re stitched I think
that does it. The costume shows her arms and her
shoulders. They’re pink where she’s been in the sun.
Then she’s gone. But I see her again on the other side of
the crowded pool. She’s looking at me. I get a funny
feeling in my belly, like being on the front seat of a
double decker trolley bus when it goes head-long down
Church Bank, frightening and exciting at the same time.
© Derek Mortimer, Sydney 2017
Deep End 7
I try to swim towards her doing the Australian crawl
because it makes you look good when you can really do
it. I can’t. But I’d look stupid doing backstroke.
Michael appears next to me. “I can swim all the way
across underwater. Bet you can’t,” he boasts.
“I can do the length,” I tell him, and keep going. I tried
once. I thought I was gonna drown. One of the big kids
in school can do it. I’ve see him. I’ll practise another
time when there’s more room.
Mermaid has disappeared. Then she bobs up again and
is looking at me. She doesn’t smile or anything, just
looks. She doesn’t seem to be with anyone.
By the time I get to her, she’s gone. I mean, where she
was, she isn’t. Maybe she hadn’t been looking at me at
all. Maybe she’d been looking at someone behind me.
I don’t know what’s happened to Michael. He’s always
bragging about what he can do, most of the time he can’t.
The attendant might have chucked him out for messing
about.
Suddenly the mermaid’s next to me again. “I saw ya
looking,” she says.
© Derek Mortimer, Sydney 2017
Deep End 8
“I wasn’t.” You should never let girls know that you’re
looking at them. “I’m trying to find Michael. He’s my
brother.”
She stands in front of me, water up to her waist. Her
cozzie’s too big . It hangs loose and I can see her titties
under her togs, like two little raspberries. I try not to look
— but I try to look as well.
“He might have drowned,” she says. She doesn’t smile
at her joke. I think it’s a joke.
“No, no, he’s a good swimmer.”
“You are too. I saw you.”
I wonder which stroke I was doing. That’s the trouble
when it’s crowded, you can’t show how good you are.
“So are you. You stayed under for ages,” I tell her.
She nods, as though it’s good to be told something
nice.
I’m close enough to touch her. But I daren’t. I’m close
enough to kiss her.
Michael surfaces next to me. He doesn’t even notice
I’m talking to her. He’s just so ignorant sometimes.
“I did a whole length underwater,” he brags, blowing a
stream of water in my face.
© Derek Mortimer, Sydney 2017
Deep End 9
“Give over will yah!” I tell him.
He’s always lying, there isn’t enough room to swim a
length on top let alone under water. Michael realises I’m
not interested in him. Then he sees the mermaid standing
in front me. He looks at her and looks at me.
“Come on let’s do something,” he says.
I ignore him. I can’t take my eyes off her.
“Come on Tom,” Michael says.
“Later.” Michael still thinks girls are stupid.
“What’s your name?” I asked the mermaid.
“Kathleen.”
I tell her I like her name. I’ve got a cousin with the
same name. Then I tell her mine, Danny.
“I like yours too,” she says.
I can’t think of anything else to say.
“Danny! Come on.” Michael tugs my arm. I ignore
him. I wish he’d bugger off.
Michael swims away without looking back.
I still can’t think of anything to say to Kathleen. What
do other people talk about?
She stretches out a hand to me.
© Derek Mortimer, Sydney 2017
Deep End 10
I take hold. It’s cold and warm at the same time. She
draws me along the pool out of the shallow end towards
the deep end where you can’t even see the bottom.
We begin to swim side-by-side. I do breaststroke. So
does she. She keeps looking at me but never smiles,
except with her eyes. We reach the end of the pool, stop
and hang on to the side, close together. I could touch her
sunburned shoulders. She hitches up the straps of her
loose togs, hiding her titties. I try not to look. I wonder if
she knows I can see them.
“It’s crowded i’nit,” I say.
She nods. “That’s ‘cause it’s hot.”
It’s my turn to nod.
Why can’t I think of something clever to say? I could
say something about famous swimmers from our town,
but there aren’t any.
“Michael is mi brother,” I tell her.
Michael would like to be a famous boxer but he won’t
be. He’s too soft.
“Ah know.” She smiles.
“Where’s your mates?” I ask.
“A’m by miself.”
© Derek Mortimer, Sydney 2017
Deep End 11
“Do ya want to race t’ the other end?” I ask. Then I
think, what if she beats me? What if she’s a better
swimmer than me?
She shakes her head. “No room.”
She turns away, then looks and smiles with the tight
lips she has.
“Where’d ya live?” I ask.
“Not far. You?”
“East Moor.”
“It’s nice there.” Her voice is soft, almost a whisper.
Maybe she’d swallowed a lot of water. I have. Chlorine
gets to some people.
“It’s alright.”
“Yeah. We came into the centre on the trolleybus and
walked up.”
Then we are quiet, both of us looking around like
we’re trying to find someone, which we aren’t.
Kathleen lets go of the side of the pool and treads
water, like a frog with pink shoulders, white legs, and a
bathing cap. I tread water too and we bob up and down
facing each other. It doesn’t seem to matter about talking
anymore.
© Derek Mortimer, Sydney 2017
Deep End 12
I touch her arm, just brush it. She looks at me but
doesn’t say anything.
She feels for my hand, finds it and holds it tight,
underwater where no one can see. It’s like going down
hill again on the top deck of the trolleybus, only the hill’s
steeper and the bus faster. She comes real close and our
legs touch. We stay like that. Then she lets go and tells
me,. “I’ve gotta be off.”
“Not yet.”
She slowly moves away.
“Stay a bit longer,” I plead.
“I have to. I’ll see yer outside then.”
She swims to the edge of the pool and gets out, her toobig
costume dripping water.
I don’t wait for Michael. I collect my clothes and get
dressed so fast.
I stand by the entrance but she doesn’t come out. She
must have decided not to bother with me and gone
straight home. I wished now that I’d waited for Michael,
but they won’t let me back in to find him.
Other kids step out into the burning sun.
© Derek Mortimer, Sydney 2017
Deep End 13
Then she appears. She’s nothing like a mermaid now.
She walks over, a thin, grey towel rolled up under her
arm. She’s smaller than in the pool. Her hair’s long, still
wet, hanging down to her shoulders in strings, dripping
water onto a baggy dress that has once been coloured but
is now no colour. The dress had puffy little sleeves but
one hangs loose where something’s broken. On her feet
she wears pumps that are worn through at the toes. One
of them has no laces.
She smiles at me. This time her mouth’s open. She has
holes in her teeth. That’s why she kept her mouth shut.
She’s ashamed.
I smile back.
“It were nice won’t it? In the pool,” she says.
I nod.
I wish I could think of something.
I wish I’d waited for Michael.
I wish I was anywhere but here.
“You comin’ agin tomorrer?” she asks.
“I. I. I don’t know.”
“D’ya wanta walk part the way ‘ome wi me? It’s not
far.”
© Derek Mortimer, Sydney 2017
Deep End 14
“Where?”
She hesitates, “White Abbey.”
“Mi Mam said I have to be home early, I’ve just
remembered,” I tell her.
I look around for Michael. He’s out.
“I’ve got ta go. Me and Michael, have ta go.”
I grab Michael by the arm and take off before he can
say, what’s up?
I turn as we run down the hill. Kathleen is walking
slowly in the direction of home, ‘Shite Abbey’.
End
© Derek Mortimer, Sydney 2017